These universal survey museums gradually gave way to museums devoted to specific disciplines, such as archeology, ethnography, or natural history. Natural history museums in particular enjoyed tremendous popularity, as they allowed the population at large to experience up close specimens of animals, minerals, and plants that they would otherwise never get a chance to see. These museums were also viewed as symbolic embodiments of national might, and of the great colonialist powers’ ability to gather and transport unique and “exotic” items from faraway corners of the earth to enlighten and delight their citizens.
With the rise of the mass media and the growing accessibility of cheap travel in the course of the 20th century, a great deal of the charm associated with such museums gradually waned. In Normandy, Dana Levy photographed warehouses that host the remains of former natural history museums throughout France. The dusty items, often wrapped in protective plastic, lie forgotten in the corners of these storage buildings. Their quiet, ghost-like presence is a reminder of a long bygone era of colonial empires.
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